
Screen mixing with metal in the mix
#1
Posted 24 July 2022 - 07:23 PM
#2
Posted 25 July 2022 - 10:49 AM
Not putting metals through your screens. Really only applies to course and hard metals. Like TI & FeTi.
Fyi the "standard recommended" mixing screen mesh, for incorporating comps. Is 20 mesh, though I generally preferred a 30 mesh. A 40 mesh, may take a significant amount of effort to work the comp through.
#3
Posted 25 July 2022 - 12:42 PM
I'd suggest that the material of the screen is important! Brass or stainless could be better than window screen.
#4
Posted 25 July 2022 - 01:03 PM
I've always followed the advice not to put metal through screens, and my stars have come out fine. Magnalium is hard and gritty. I see the possibility of it sensitizing the mix. I mix it in after screening and feel 'a bit' safer for doing so. Everybody has their own perception of risk, and our perceptions often differ
#5
Posted 25 July 2022 - 01:18 PM
Edited by Uarbor, 25 July 2022 - 01:22 PM.
#6
Posted 25 July 2022 - 01:52 PM
I made successful screen sets by using a set of plastic (PP I think) kitchen storage boxes. Push a mesh into the bottom with a soldering iron than melt the bottom off with the iron, leaving the mesh as the bottom of the container.
#7
Posted 25 July 2022 - 07:07 PM
NiceI made successful screen sets by using a set of plastic (PP I think) kitchen storage boxes. Push a mesh into the bottom with a soldering iron than melt the bottom off with the iron, leaving the mesh as the bottom of the container.
#9
Posted 22 August 2022 - 01:16 AM
Stainless screens seem less likely than brass to wear quickly or get metal particles embedded in them.
#10
Posted 01 September 2022 - 09:56 PM
I tend use a 24 or 36 (I think) for most of my mixing. I can't remember the exact meshes, but I got a good deal from McMaster on some slightly off-standard sizes a while ago. I used to have a set of stackable screens, similar to what Arthur described. They were kind of nice. I used to stack up a couple progressively finer screens, with 60 mesh the final at the bottom. I'd pass everything through something coarse (like 16-20 mesh) to break up clumps, then my 40ish mesh screen to further break things down and mix the components, and the 60 mesh final was really to remove some garbage that was in a few of my materials. It was especially useful for some batches of red gum and parlon I have. The red gum has some hard bits or rocks or bark or something in it, and the parlon has some larger chunks. I noticed a very visible improvement in my color stars doing this. I suspect it was the parlon, but a lot of my colored stars had this faint incandescent orange tail that I always find distracting. Screening out the coarser material with a 60 seemed to solve it.
I tried it with a 100 mesh screen as well, but that was way more trouble than it was worth. After screening out the junk, I'd pass it once or twice through the 24 or 36 mesh again for better incorporation.
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